Tune-Yards - sketchy.


  • £16.99

Between 2009 to 2018, Oakland, California-based Tune-Yards (Merrill Garbus and her partner, and long-time collaborator, Nate Brenner) released four critically acclaimed albums, travelled the world relentlessly to play live shows and composed the psychedelic score to Boots Riley’s surrealist cinematic masterpiece Sorry To Bother You. “We had really been non-stop hustling,” Merrill reflects. “And when we’re hustling, we’re complicit in all of the systems that I really don’t believe in.” 

Interrogating these systems and her role within them had left Merrill feeling heavy with grief and lost about how to move forward. The duo pressed on, inspired by the Beastie Boys Book and Questlove’s Creative Quest and began jamming daily for hours in their home rehearsal studio “like athletes.” They ditched computer screens for live instruments (Merrill on drums, Nate on bass) and before long full songs started to emerge. 

Unlike the lyrical introspection of previous outing I can feel you creep into my private life, on sketchy. Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colourful and joyous record with lyrics that cut to the bone. “I started remembering that people come to us to be entertained, to move, to feel joy. And together, I think, we can wake up.” 


  1. nowhere, man 
  2. make it right. 
  3. hypnotized 
  4. homewrecker 
  5. silence pt. 1 (when we say “we”) 
  6. silence pt. 2 (who is “we”?) 
  7. hold yourself. 
  8. sometime 
  9. under your lip 
  10. my neighbor 
  11. be not afraid. 


  • Limited translucent blue vinyl LP exclusive to indie stores
  • LP housed in custom reverse-board die-cut sleeve 
  • CD housed in gatefold card sleeve with 6mm spine 




also available: 
Tune-Yards - Nikki Nack   LP 


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