Joan Shelley's self-titled album on No Quarter Records (the album sleeve is a colour photograph of Joan Shelley in profile, wearing a black shirt against a black background, with chin length wavy blond hair).

Joan Shelley - Joan Shelley

NO QUARTER

  • £21.99


The stunning, self-titled fourth album from the Kentucky singer, songwriter, and guitarist Joan Shelley, released in 2017, began, surprisingly, with a fiddle. 

In the summer of 2014, Shelley fell for 'Hog of the Forsaken,' a bowed rollick at the end of Michael Hurley’s wayward folk circus, Long Journey, then nearly forty years old. Hurley’s voice, it seemed to Shelley, clung to the fiddle’s melody, dipping where it dipped and climbing where it climbed. This was a small, significant revelation, prompting the guitarist to trade temporarily six strings for four and, as she puts it, “try to play like Michael.” That is, she wanted to sing what she played, to play what she sang. She tried it, for a spell, with the fiddle. “Turns out, I wasn’t very good at fiddle,” remembers Shelley, chuckling. “But I took that idea back to the guitar and tried that same method. I did it as a game to make these songs, a way to find another access point.” 

But that wasn’t the end of the trials. After collaborating and touring with ace guitarist Nathan Salsburg for so many years, Shelley decided to put her entire guitar approach to the test, too. Each day, she would twist and turn into a different tuning, letting her fingers fumble along the strings until the start of a tune began to emerge. After playing the songs of her phenomenal third album, the acclaimed Over And Even, so many nights during so many shows, the trick pushed her hands out of her habits and into a short, productive span that yielded most of Joan Shelley

It’s fitting that the set is self-titled. These are, after all, Shelley’s most assured and complete thoughts to date, with lyrics as subtle and sensitive as her peerless voice, and a band that offers support through restraint and nuance. 

In December 2016, Shelley headed a few hours north to Chicago, where she and Salsburg joined Jeff Tweedy in Wilco’s Loft studio for five days. Spencer Tweedy, home from college, joined on drums, while James Elkington (a collaborator to both Tweedy and Salsburg) shifted between piano and resonator guitar. Jeff added electric accents and some bass, but mostly, he helped the band stay out of its own way. “He was protecting the songs. He was stopping us before we went too far.” she says. 

The Loft proved essential for that approach, as it was wired to capture every musical moment, so no take was lost. If, for instance, some magic happened while Spencer Tweedy added drums to a tune he’d never heard, or while Elkington tinkered behind a piano, the tape was rolling. Indeed, half of these songs are first takes. “The first time is always the best. That’s when everyone’s on the edge of their seats, listening to not mess it up,” Shelley says. “They’re depending on each other to get through it.” 

Shelley’s music has never been strictly experimental (rather, these are classic ideas, rendered brilliantly anew) but in their own personal way, these songs are experimental and risky, built with methods that pushed Shelley out of the comfort zone she’s established on a string of records defined by a mesmerising sort of grace and clarity. The shifts are not so much major as they are marked, suggestive of the same steady curiosity and rumination that you find in the pastoral pining of 'If the Storms Never Came' or the subtle romance of 'Even Though.' From genesis through gestation and on to execution, then, these songs document transitions to destinations unknown. 

“I don’t have a concept, and I don’t know the meaning until much later. Whatever I am soaking up or absorbing from the world, there will be songs that reflect all those thoughts,” Shelley says. “I keep my songwriting alive and sustainable by trying to be honest about how it came out - these are all its jagged edges, and that’s what it is to be human.” 

 

TRACKLIST: 
  1. We’d Be Home 
  2. If The Storms Never Came 
  3. Where I’ll Find You 
  4. I Got What I Wanted 
  5. Even Though 
  6. I Didn’t Know 
  7. Go Wild 
  8. The Push and Pull 
  9. Pull Me Up One More Time 
  10. Wild Indifference 
  11. Isn’t That Enough 

 

  • US import 
  • LP contains download coupon 
  • CD housed in gatefold card jacket with 7mm spine 

 

 


 

also available: 
Joan Shelley - Ginko   LP 
Joan Shelley - Electric Ursa   LP | CD 
Joan Shelley - Over And Even   LP | CD 
Joan Shelley - Cost Of The Cold / Here And Whole   7" 

Joan Shelley - Rivers & Vessels   12" EP 
Joan Shelley - Like The River Loves The Sea   LP | CD 

 

also on No Quarter: 
Ned Oldham - Further Gone   7" 
The Other Years - The Other Years    LP | CD 
Nathan Salsburg - Psalms   LP | CD 

 

browse collections: 
Americana collection 
Louisville, Kentucky collection 

 

 


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