Hiroshi Yoshimura - Music For Nine Postcards


  • £29.99

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura remains far less-known outside of his home country. Yoshimura's debut album, Music For Nine Postcards, originally released in 1982, has been reissued for the first time outside of Japan by the American label Empire of Signs - a new imprint co-helmed by musicans Maxwell August Croy and Spencer Doran - in collaboration with Hiroshi’s widow Yoko Yoshimura, with plans for more reissues of Hiroshi’s works to follow in the future. 
Working initially as a conceptual artist, the musical side of Yoshimura’s artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterwards. His sound works took on many forms - commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design - all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Post Cards
Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Post Cards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building’s architecture. This was not background music in the prior Japanese “BGM” sense of the word, but “environmental music”, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late '70s Japan. 
Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space: music not as an external absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie’s furniture music, R. Murray Schafer’s concept of the soundscape and Eno’s ambience all greatly informed their work, but the specific form of tranquil stasis presented on releases like ...Nine Post Cards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of its construction. This record offers the perfect introduction to Hiroshi’s unique and beautiful worldview: it’s one that can be listened to - and lived in - endlessly. 



  1. Water Copy 
  2. Clouds 
  3. Blink 
  4. Dance PM 
  5. Ice Copy 
  6. Soto Wa Ame - Rain Out Of Window 
  7. View From My Window 
  8. Urban Snow 
  9. Dream 


  • US import 
  • Housed in full reproduction of the original LP sleeve with original liner notes both Japanese and English 
  • Remastered from the original tapes, and produced in co-operation with the artist's estate 


TECHNICAL NOTE FROM THE LABEL: Due to the quiet nature of this recording, if your LP exhibits distortion upon playback, simply adjust your tone arm to add more weight to the needle. 




also available: 
Hiroshi Yoshimura - Green   LP | CASSETTE 


browse collections: 
Unclassical & Modern Composition collection 


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